OLDER STUFF

Selected glimpses into other/older work (2014-2023).

Recent History. Solo-exhibition at Galleri Schaeffers Gate 5, Oslo, Norway, January 2023.

Black Mass. Textile sculpture installed at group-exhibition L-O-C-A-L-I-S-M, Punkt, Västerås, Sweden, 5-14 November 2021.

They Made a Meme Out of My Legacy. Installed at Bildmuseet in Umeå, Sweden, May 2020.

They Made a Meme Out of My Legacy. B/w publication, A5 size, 62 pages long. Limited, hand-numbered edition of 80 copies, printed at Original Tryckeri in Umeå, Sweden, April 2020.

Here We Are Now, Entertain Us. Mixed media installation, dimensions variable. Installed at The 2nd Masters Fall Exhibition, Umeå Academy of Fine Arts, Sweden, November 2019.

There Will Never Be Another You. Textile application (bed covers and blankets), 240x220cm. Installed at Fragile: the 2nd Röbäck Biennale, curated by Audrius Pocius at Kulturmejeriet, Umeå, October 2019. The fox sculpture is made by another artist.

Work in Progress. Textile/performance, dimensions variable, 1980-ongoing. One layer is added each time the artist has a birthday (the number of layers is 39 in this photo because the artist was 39 years old at the time of documentation, diameter = 129cm).

Come Into My Sleep. Mixed media installation, dimensions variable. Installed in the artist's studio at the Umeå Academy of Fine Arts, 2018.

66 666 badkar, 30 000 fotbollsplaner. Textile application, 200x200x130cm. Installed at group-exhibition Ur aska, curated by Linda Wallenberg at Västerås konstmuseum, 15 September - 11 November 2018. Documentation by Bo Gyllander.

A Hollow Ever After - Long live the new flesh. Installed at The Contemporary Garage, a gallery which is curated by OpenART, and located in a parking garage in Örebro, Sweden. 15 June - 1 September 2018.

Swedisms. Solo-exhibition at Galleri Gotland, Visby, Sweden, 31 March - 22 April 2018.

Oz-cillations. Solo-exhibition at Brunswick Street Gallery, Melbourne, Australia, 17-29 November 2017.

Digital Trace. Textile application, 315x26cm. Installed at ExitArtFair, curated by ArtMobile at Galleri K, Västerås, Sweden, July 2017.

Artificial Picnic (Don't Worry Be Happy). Digital video, 7:11 minutes (made in 2014). Installed at Revelation, video art screening at Ytan, Västerås, Sweden, 2016.

A Hollow Ever After - Long live the new flesh. Latex, acrylic, cotton, paper, thread, traces of apple - 999 separate objects, dimensions variable, 2016-2017.

Head Swap >< Swap Head. Solo-exhibition at Ytan, Västerås, Sweden, 8-29 October 2016.

Everything Pertains To Everything. 25 layers of blankets hand-sewn onto each other, 150x120cm, 2016.

Unearthing. Duo-exhibition with Margaret Parsons at Tethered Cord in Portland, Oregon, U.S., 2016.

Peel Slowly and See. Temporary sculpture (bananas, spray paint, latex, plexiglass), 2016.

One and Three Dimensions Illustrating Transmogrification (While Implicating the Viewer). Mixed media installation, dimensions variable, 2016.

Absorbia. Solo-exhibition at Galleri Fisk in Bergen, Norway, 2015.

Kids Will Be Kids. Ready-made teddybear covered in polyester bed sheets, textile, 2015.

Purity / Ritual. Performance in which the artist walked up Ulriken (the highest mountain surrounding Bergen in Norway, 643 meters above sea level), completely dressed in white, 2015. Documentation by Cecilie Bannow.

Pharmaceutical Supply Chain. Table (78x68x64cm), chain (13 meters), paint, 2015.

I Got 99 Problems But a Bitch Ain't One. Installation of 99 separate ceramic objects (approximately cellphone-sized), dimensions variable, 2014.